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Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis

William Forde Thompson, Manuela M. Marin, and Lauren Stewart
PNAS published ahead of print October 29, 2012 https://doi.org/10.1073/pnas.1210344109
William Forde Thompson
aARC Centre of Excellence in Cognition and its Disorders, Macquarie University, Sydney, NSW 2109, Australia;
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Manuela M. Marin
bDepartment of Basic Psychological Research and Research Methods, University of Vienna, 1010 Vienna, Austria; and
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Lauren Stewart
cDepartment of Psychology, Goldsmiths, University of London, New Cross, London, SE14 6NW, United Kingdom
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  1. Edited by Dale Purves, Duke-National University of Singapore Graduate Medical School, Singapore, and approved September 24, 2012 (received for review June 17, 2012)

This article has a correction. Please see:

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Abstract

A number of evolutionary theories assume that music and language have a common origin as an emotional protolanguage that remains evident in overlapping functions and shared neural circuitry. The most basic prediction of this hypothesis is that sensitivity to emotion in speech prosody derives from the capacity to process music. We examined sensitivity to emotion in speech prosody in a sample of individuals with congenital amusia, a neurodevelopmental disorder characterized by deficits in processing acoustic and structural attributes of music. Twelve individuals with congenital amusia and 12 matched control participants judged the emotional expressions of 96 spoken phrases. Phrases were semantically neutral but prosodic cues (tone of voice) communicated each of six emotional states: happy, tender, afraid, irritated, sad, and no emotion. Congenitally amusic individuals were significantly worse than matched controls at decoding emotional prosody, with decoding rates for some emotions up to 20% lower than that of matched controls. They also reported difficulty understanding emotional prosody in their daily lives, suggesting some awareness of this deficit. The findings support speculations that music and language share mechanisms that trigger emotional responses to acoustic attributes, as predicted by theories that propose a common evolutionary link between these domains.

  • auditory
  • pitch
  • contour
  • intonation
  • impairment

Footnotes

  • ↵1To whom correspondence should be addressed. E-mail: Bill.Thompson{at}mq.edu.au.
  • Author contributions: W.F.T. conceived research; W.F.T., M.M.M., and L.S. designed research, performed research, analyzed data, and wrote the paper.

  • The authors declare no conflict of interest.

  • This article is a PNAS Direct Submission.

Freely available online through the PNAS open access option.

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Congenital amusia and emotional prosody
William Forde Thompson, Manuela M. Marin, Lauren Stewart
Proceedings of the National Academy of Sciences Oct 2012, 201210344; DOI: 10.1073/pnas.1210344109

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Congenital amusia and emotional prosody
William Forde Thompson, Manuela M. Marin, Lauren Stewart
Proceedings of the National Academy of Sciences Oct 2012, 201210344; DOI: 10.1073/pnas.1210344109
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