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Research Article

Music–color associations are mediated by emotion

Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
  1. aPsychology Department, University of California, Berkeley, CA 94720; and
  2. bErgonomics Research Center, University Center of Art, Architecture, and Design, University of Guadalajara, Guadalajara, Jalisco, 44250, Mexico

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PNAS first published May 13, 2013; https://doi.org/10.1073/pnas.1212562110
Stephen E. Palmer
aPsychology Department, University of California, Berkeley, CA 94720; and
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  • For correspondence: palmer@cogsci.berkeley.edu
Karen B. Schloss
aPsychology Department, University of California, Berkeley, CA 94720; and
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Zoe Xu
aPsychology Department, University of California, Berkeley, CA 94720; and
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Lilia R. Prado-León
bErgonomics Research Center, University Center of Art, Architecture, and Design, University of Guadalajara, Guadalajara, Jalisco, 44250, Mexico
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  1. Edited by Dale Purves, Duke-National University of Singapore Graduate Medical School, Singapore, Singapore, and approved April 1, 2013 (received for review July 23, 2012)

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Abstract

Experimental evidence demonstrates robust cross-modal matches between music and colors that are mediated by emotional associations. US and Mexican participants chose colors that were most/least consistent with 18 selections of classical orchestral music by Bach, Mozart, and Brahms. In both cultures, faster music in the major mode produced color choices that were more saturated, lighter, and yellower whereas slower, minor music produced the opposite pattern (choices that were desaturated, darker, and bluer). There were strong correlations (0.89 < r < 0.99) between the emotional associations of the music and those of the colors chosen to go with the music, supporting an emotional mediation hypothesis in both cultures. Additional experiments showed similarly robust cross-modal matches from emotionally expressive faces to colors and from music to emotionally expressive faces. These results provide further support that music-to-color associations are mediated by common emotional associations.

  • color cognition
  • cross-modal associations
  • music cognition
  • emotion mediation hypothesis

Footnotes

  • ↵1To whom correspondence should be addressed. E-mail: palmer{at}cogsci.berkeley.edu.
  • Author contributions: S.E.P. and K.B.S. designed research; K.B.S., Z.X., and L.R.P.-L. performed research; S.E.P. and K.B.S. contributed new reagents/analytic tools; S.E.P., K.B.S., and Z.X. analyzed data; and S.E.P. and K.B.S. wrote the paper.

  • The authors declare no conflict of interest.

  • This article is a PNAS Direct Submission.

  • This article contains supporting information online at www.pnas.org/lookup/suppl/doi:10.1073/pnas.1212562110/-/DCSupplemental.

  • *The concept of emotion is notoriously difficult to define. Typical definitions identify emotions as “conscious feelings” that have both physiological and cognitive components, followed by a list of prototypical examples (e.g., fear, anger, joy, and sorrow) with no boundary conditions to clarify less obvious possibilities. Emotional associations are systematic connections between emotions and other mental states caused by experiences that are not intrinsically emotional, such as hearing music or seeing colors. As we use the term, emotional associations may include conscious experiences of feelings and/or cognitive content that accompanies such feelings.

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Color, music, and emotion
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, Lilia R. Prado-León
Proceedings of the National Academy of Sciences May 2013, 201212562; DOI: 10.1073/pnas.1212562110

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Color, music, and emotion
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, Lilia R. Prado-León
Proceedings of the National Academy of Sciences May 2013, 201212562; DOI: 10.1073/pnas.1212562110
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